Author: Nadreck

End of the Year

It’s New Year’s Eve, 2018. In another 8 hours, it’ll officially be 2019, the last year of the twenty-teens. Time flies.

I’ve been thinking a lot about what I want 2019 to look like. 2018 wasn’t a terrible year for me — I went to Japan, worked in a job I don’t hate where people seemed to appreciate what I do, spent time with friends. I posted more on here than I had in a long time (albeit mostly link sharing and light commentary…. and I sort of fell off the posting wagon this fall/winter).

That said, it also felt like a year of coasting. It didn’t feel particularly productive towards my longer term goals, nor did I feel much sense of fulfillment or contentment (barring a few things). That’s something I’d like to change, and that informs a lot of my goals for the year, boiling down to: I’d like to find a routine that feels good, and leaves me feeling productive and fulfilled creatively, socially, emotionally, and physically. The details of getting there are still feeling pretty amorphous, but that feels like a good broad goal to work towards.

Happy 2019, everyone. I hope it’s filled with laughter and kindness.

Post-Event Survival Guide

So, you just attended an event that was revelatory and cathartic and emotional, and now you’re a jumbled up pile of feelings and thoughts and have no idea where to even begin. You had these amazing experiences and conversations and you’re feeling excited and drained all at the same time. What do you do? Here’s some gentle suggestions:

  1. Give yourself time. (But not too much time.) There’s a lot your subconscious is still figuring out, and it’s okay to give yourself the time, space, and permission to let things process. That said, if you take too much time, the mental thread gets lost, and the energy wanes. Give yourself a week to regain your bearings.
  2. Actively process. Meditate, journal, discuss with a trusted friend. Think about what about the experience felt revelatory and energizing, and what you can do to extend and act on that feeling. Give your subconscious a leg up by being active about how you process it all.
  3. Keep in touch. You met amazing people and had amazing conversations. Keep those conversations going. Reach out. It takes effort to keep communication going (especially when shifting mediums like from in person at an event to online), but this is how you form community, and how you’ll keep that energy for your New Idea™.
  4. Write down your ideas. Your mind is running a mile a minute right now, and there’s all the people to talk to and all the things to do, and so many new ideas and new projects. That’s great! Write it all down while it’s fresh. A lot of the bigger ideas are going to take more time and energy than this hyperactive sugar-rush of feelings will sustain, so write it down. Process your feelings, then come back to the idea when you’re able to sit down and think about how to actually get from Point A to Point B.
  5. Cherish the moment. Even if you go to the same event again, you won’t necessarily have that same energizing experience, and even if you do, these sorts of events tend to be only once or twice a year. So savor it while you’re in it, and try to remember that feeling six months down the line, when you’re feeling stymied or blocked. (Keeping in touch with others helps remember this feeling, too!)
  6. Forgive yourself. At the end of the day, when the event is all over, it’s easy to feel like you could be doing more or should have done more, or have your impostor syndrome come back and double down. (And, worse, when the event rolls around again next year, you can find yourself discounting the work you’ve done, and thinking about all the things you wanted to do after the last time.) It’s okay. You had the experience you had, and it’s going to be a different experience than anyone else had. Some people maybe even had a similar experience, but come off more eloquently when they talk about it, and you feel like you should have had something more. But they’re not you, and while it can be useful to think about things you’d like to do differently, don’t dwell on it.

These are things I’ve found useful to remind myself when in these sorts of experiences. I hope it helps.

On Making Friends

This topic has been coming up a lot in a variety of locations for me (blog posts, tweets and toots, articles, videos): it seems like it’s pretty universally agreed upon that making friends (and really, relationships in general) as an adult is hard. It definitely feels pretty true, and there’s all sorts of reasons why it’s true (and while it’s easy to point at technology or society or all sorts of external reasons, those make up only a fraction of the reality).

I’ve got no easy answers, and it’s certainly something I continue to struggle with. The answers I’ve heard really boil down to one thing: Do The Work™.

What spawned this post is that I really appreciated John Green’s video about this (I find myself deeply empathizing with and appreciating a lot of his videos, seems like the sort of person I’d enjoy knowing):

This, in turn, was a response to Hank Green’s video:

Which I think makes a certain amount of sense (though I don’t entirely agree with the notion that we valued people more — I think the factor of having more shared experiences and enforced proximity while you build that value/appreciation for each other is a big contributor).

While I’m on the topic, one of the other pieces that popped up on my radar recently was a link to this Ask Polly letter, which I can sympathize with (being guilty of a lot of the same weird behavior when I uprooted to SF), and is also at least partly what John touched on in the above video.

Also, Shen did a comic also about this recently as well. Seems like it’s on a lot of peoples’ minds these days.

How Indie Game Publishing Works

Untitled Goose Game had some announcements today – a new trailer, announcements of some new platforms like the Switch, and announcing their publisher will be Panic. Busy day! The game looks like it scratches a certain itch, like if Katamari Damacy and Goat Simulator had a feathered, honking baby, which I am 100% on board for.

The thing that tickled me most, though, was Panic’s inside look at how game publishing deals are made:

Link: On Editing (Your Own) Fiction

Naomi Kritzer has a solid article on editing your work, with advice about doing your post-first-draft edits. A lot of advice out there is focused on just getting the first draft done, but glosses over the essential editing/rewriting process that takes it from a messy first draft to something you’d actually want to show someone else, so this is a welcome addition to the conversation.

I think this is a worthwhile thing to remember:

One of the really magical things about writing is that sometimes, that throwaway bit that didn’t mean anything when you put it there turns out to be the key that holds everything together. I think of those moments as gifts from the muse. Editing isn’t always about making the thing Not Suck; it’s also about spotting the really brilliant bits and polishing them up and focusing the lights on them so people can notice how very shiny they are.

Insta Repeat

Found via Demilked, there’s an interesting Instagram account that is finding repeated imagery in Instagram photos, called Insta Repeat. For instance:

or:

I think it’s an interesting project in a few different ways. On one side it shows how much we all end up copying each other, and how quickly an image concept can end up feeling trite and overplayed. But it also calls out the patterns we associate with photographic composition — often the images look similar simply because that’s the best approach for shooting a particular subject, so of course there are going to be similar photos. (The same goes for some location shots: why are there 5 million+ nearly identical shots of Half Dome in Yosemite? Because the park was designed to bring you to that reveal, where you’ll say “wow” and take the shot.)

While it’s easy to take a cynical view of this sort of project, it can be viewed in other ways, too. It’s telling to see what imagery strikes people, what patterns keep coming up, and to think about why those shots in particular seem to recur. Also, there’s a certain beauty in the collections themselves, the grids of similar photos all in a row, where the repetition is a part of the piece.

Twitter Departures

There seems to be a trend currently of announcing departures from Twitter. As a sampling (not the only ones, mind you), here are posts from Derek Powazek, Sean Bonner, and Wil Wheaton all announcing that they’re leaving Twitter and why. You’ll see a recurring trend: the indifferent (or even inimical) handling by Twitter of rampant toxicity, harassment, and abuse has effectively killed the community for a large number of people.

I’m hardly surprised by any of this — if anything, I’m surprised it took this long for people to leave. I’ve commented before that Twitter has become largely a rage machine, and I unfortunately don’t see a course-correction this happening any time soon (if it’s even possible). I’m mostly off it myself at this point — I still auto-post links to my blog posts, and respond to DMs and replies, but otherwise spend very little time there. I don’t personally feel a need to fully depart (and if I ever do, I’ll likely just ghost), but I also don’t foresee going back to it, either.

Like a lot of other people, I’ve joined a Mastodon instance, which will likely scratch that occasional Twitter itch for now (feel free to follow me). That said, I don’t really anticipate using it a lot — I’m feeling pretty done with the format, to be perfectly honest. In terms of online discourse, it feels like it fills the same sort of niche small-talk does in real life — sometimes it’ll lead to deeper conversations and connections with others, but mostly it’s just filling time.

Link: Aqua Screenshot Library

This is for the UX and UI nerds out there: the Aqua Screenshot Library. It’s a collection of various windows, dialogs, screens, and other UI elements in Apple’s Aqua interface in each major version since the Mac OS X public beta. I’ll be curious to see how they handle cataloging Mojave, since there’s light and dark modes for everything. It’s really interesting to see how the interface has continued to evolve (and which aspects remain largely unchanged). You can really see where and how this:

Became this:

Link: Bourdain Confidential

Found via Kottke, Maria Bustillos has an excellent interview with Anthony Bourdain, from not too long before his death. I’m late on the Bourdain train – I hadn’t really caught any of his shows or books, and only started exploring it all after seeing how impacted people were by his passing. By every account, though, he sounds like someone I would have sincerely enjoyed, and I always appreciate the stories and insights and approach he seemed to bring.

A few favorite bits:

I do not need to win. I am not a competitive person. I need to survive.

Were you ever?

Never. Sports, fucking hated them. Always hated sports. Again, it goes back to that Sixties thing… I just wanna fucking survive. I don’t need to be number one. I don’t need to beat the fuck out of somebody. I don’t need to be ahead. I just want to still be here at the end of the fuckin’ day, doing what I’m doing, without anybody hassling me.

(I hear ya. I’m inherently not a competitive person — which isn’t to say that I don’t like to succeed, but it’s almost never a competition for me, and trying to turn it into one is a surefire way for me to stop giving a shit.)

I also really liked:

Look, the minute everybody in the room agrees with you, you’re in a bad place, so I’m a big believer in change just for its own sake, just to show that you can change, to move forward incrementally, but ain’t nobody gonna make everything better. Whoever has the intestinal fortitude or the megalomaniac instincts, uh, sufficient to lead any kind of a revolution will inevitably disappoint horribly.

And, of course, talking about the sublime little human moments, the ones that immediately become special to you but are so hard to describe why:

I do find that my happiest moments on the road are not standing on the balcony of a really nice hotel. That’s a sort of bittersweet—if not melancholy—alienating experience, at best. My happiest moments on the road are always off-camera, generally with my crew, coming back from shooting a scene and finding ourselves in this sort of absurdly beautiful moment, you know, laying on a flatbed on those things that go on the railroad track, with a putt-putt motor, goin’ across like, the rice paddies in Cambodia with headphones on… this is luxury, because I could never have imagined having the freedom or the ability to find myself in such a place, looking at such things.

To sit alone or with a few friends, half-drunk under a full moon, you just understand how lucky you are; it’s a story you can’t tell. It’s a story you almost by definition, can’t share. I’ve learned in real time to look at those things and realize: I just had a really good moment.

Link: Patterns for Organization of Writing

Over at A List Apart, Richard Rabil writes Order Out of Chaos: Patterns of Organization for Writing on the Job, which drills into some of the core concepts behind organizing your writing. Considering my current profession (and continuing interest in information architecture), I found it pretty topical.

Recently I had an extremely frustrating user experience. While consulting some documentation to learn about a new process, I encountered a series of web pages that gave no introduction and dove straight into undefined jargon and acronyms that I had never heard of. When I visited related pages to get more context, I found the same problem. There was no background information for a newbie like me. The writers failed in this case to anticipate my questions and instead assumed a great deal of prior knowledge.

Don’t make this mistake when you design your structure. Like a journalist, you need to answer the who, what, where, when, how, and why of your content, and then incorporate the answers in your structure. Anticipate common questions, such as “What is this? Where do I start? What must I know? What must I do?” This sort of critical reflection is all the more important when organizing web content, because users will almost certainly enter and exit your pages in nonlinear, unpredictable ways.