Author: Nadreck

How Indie Game Publishing Works

Untitled Goose Game had some announcements today – a new trailer, announcements of some new platforms like the Switch, and announcing their publisher will be Panic. Busy day! The game looks like it scratches a certain itch, like if Katamari Damacy and Goat Simulator had a feathered, honking baby, which I am 100% on board for.

The thing that tickled me most, though, was Panic’s inside look at how game publishing deals are made:

Link: On Editing (Your Own) Fiction

Naomi Kritzer has a solid article on editing your work, with advice about doing your post-first-draft edits. A lot of advice out there is focused on just getting the first draft done, but glosses over the essential editing/rewriting process that takes it from a messy first draft to something you’d actually want to show someone else, so this is a welcome addition to the conversation.

I think this is a worthwhile thing to remember:

One of the really magical things about writing is that sometimes, that throwaway bit that didn’t mean anything when you put it there turns out to be the key that holds everything together. I think of those moments as gifts from the muse. Editing isn’t always about making the thing Not Suck; it’s also about spotting the really brilliant bits and polishing them up and focusing the lights on them so people can notice how very shiny they are.

Insta Repeat

Found via Demilked, there’s an interesting Instagram account that is finding repeated imagery in Instagram photos, called Insta Repeat. For instance:

or:

I think it’s an interesting project in a few different ways. On one side it shows how much we all end up copying each other, and how quickly an image concept can end up feeling trite and overplayed. But it also calls out the patterns we associate with photographic composition — often the images look similar simply because that’s the best approach for shooting a particular subject, so of course there are going to be similar photos. (The same goes for some location shots: why are there 5 million+ nearly identical shots of Half Dome in Yosemite? Because the park was designed to bring you to that reveal, where you’ll say “wow” and take the shot.)

While it’s easy to take a cynical view of this sort of project, it can be viewed in other ways, too. It’s telling to see what imagery strikes people, what patterns keep coming up, and to think about why those shots in particular seem to recur. Also, there’s a certain beauty in the collections themselves, the grids of similar photos all in a row, where the repetition is a part of the piece.

Twitter Departures

There seems to be a trend currently of announcing departures from Twitter. As a sampling (not the only ones, mind you), here are posts from Derek Powazek, Sean Bonner, and Wil Wheaton all announcing that they’re leaving Twitter and why. You’ll see a recurring trend: the indifferent (or even inimical) handling by Twitter of rampant toxicity, harassment, and abuse has effectively killed the community for a large number of people.

I’m hardly surprised by any of this — if anything, I’m surprised it took this long for people to leave. I’ve commented before that Twitter has become largely a rage machine, and I unfortunately don’t see a course-correction this happening any time soon (if it’s even possible). I’m mostly off it myself at this point — I still auto-post links to my blog posts, and respond to DMs and replies, but otherwise spend very little time there. I don’t personally feel a need to fully depart (and if I ever do, I’ll likely just ghost), but I also don’t foresee going back to it, either.

Like a lot of other people, I’ve joined a Mastodon instance, which will likely scratch that occasional Twitter itch for now (feel free to follow me). That said, I don’t really anticipate using it a lot — I’m feeling pretty done with the format, to be perfectly honest. In terms of online discourse, it feels like it fills the same sort of niche small-talk does in real life — sometimes it’ll lead to deeper conversations and connections with others, but mostly it’s just filling time.

Link: Aqua Screenshot Library

This is for the UX and UI nerds out there: the Aqua Screenshot Library. It’s a collection of various windows, dialogs, screens, and other UI elements in Apple’s Aqua interface in each major version since the Mac OS X public beta. I’ll be curious to see how they handle cataloging Mojave, since there’s light and dark modes for everything. It’s really interesting to see how the interface has continued to evolve (and which aspects remain largely unchanged). You can really see where and how this:

Became this:

Link: Bourdain Confidential

Found via Kottke, Maria Bustillos has an excellent interview with Anthony Bourdain, from not too long before his death. I’m late on the Bourdain train – I hadn’t really caught any of his shows or books, and only started exploring it all after seeing how impacted people were by his passing. By every account, though, he sounds like someone I would have sincerely enjoyed, and I always appreciate the stories and insights and approach he seemed to bring.

A few favorite bits:

I do not need to win. I am not a competitive person. I need to survive.

Were you ever?

Never. Sports, fucking hated them. Always hated sports. Again, it goes back to that Sixties thing… I just wanna fucking survive. I don’t need to be number one. I don’t need to beat the fuck out of somebody. I don’t need to be ahead. I just want to still be here at the end of the fuckin’ day, doing what I’m doing, without anybody hassling me.

(I hear ya. I’m inherently not a competitive person — which isn’t to say that I don’t like to succeed, but it’s almost never a competition for me, and trying to turn it into one is a surefire way for me to stop giving a shit.)

I also really liked:

Look, the minute everybody in the room agrees with you, you’re in a bad place, so I’m a big believer in change just for its own sake, just to show that you can change, to move forward incrementally, but ain’t nobody gonna make everything better. Whoever has the intestinal fortitude or the megalomaniac instincts, uh, sufficient to lead any kind of a revolution will inevitably disappoint horribly.

And, of course, talking about the sublime little human moments, the ones that immediately become special to you but are so hard to describe why:

I do find that my happiest moments on the road are not standing on the balcony of a really nice hotel. That’s a sort of bittersweet—if not melancholy—alienating experience, at best. My happiest moments on the road are always off-camera, generally with my crew, coming back from shooting a scene and finding ourselves in this sort of absurdly beautiful moment, you know, laying on a flatbed on those things that go on the railroad track, with a putt-putt motor, goin’ across like, the rice paddies in Cambodia with headphones on… this is luxury, because I could never have imagined having the freedom or the ability to find myself in such a place, looking at such things.

To sit alone or with a few friends, half-drunk under a full moon, you just understand how lucky you are; it’s a story you can’t tell. It’s a story you almost by definition, can’t share. I’ve learned in real time to look at those things and realize: I just had a really good moment.

Link: Patterns for Organization of Writing

Over at A List Apart, Richard Rabil writes Order Out of Chaos: Patterns of Organization for Writing on the Job, which drills into some of the core concepts behind organizing your writing. Considering my current profession (and continuing interest in information architecture), I found it pretty topical.

Recently I had an extremely frustrating user experience. While consulting some documentation to learn about a new process, I encountered a series of web pages that gave no introduction and dove straight into undefined jargon and acronyms that I had never heard of. When I visited related pages to get more context, I found the same problem. There was no background information for a newbie like me. The writers failed in this case to anticipate my questions and instead assumed a great deal of prior knowledge.

Don’t make this mistake when you design your structure. Like a journalist, you need to answer the who, what, where, when, how, and why of your content, and then incorporate the answers in your structure. Anticipate common questions, such as “What is this? Where do I start? What must I know? What must I do?” This sort of critical reflection is all the more important when organizing web content, because users will almost certainly enter and exit your pages in nonlinear, unpredictable ways.

Link: Balancing Time

Over at CSS Tricks, Sarah Drasner has a nice article going over some productivity tips (in particular if you’re the type of person who likes to have a lot of projects happening at once). For instance:

Push outside of your comfort zone, but slowly

Work on a few things that you know and understand, and a few things you don’t. We should foster personal growth in our projects, but without some semblance of comfort, it’s easy to get discouraged. Let your projects push the limits of your boundaries, but don’t go overboard. Give yourself a foundation to spring off before floating into space.

Megaquests and Goals

William Van Hecke has an evolving article discussing their approach to productivity called Megaquest. The name may sound a little silly, but the concept is a good one. Read the article for details, but the gist is to have a large, long term goal (intentionally abstracted into a perfect moment or period of time) that informs the other work you take on. That jives with my own views on broader goals, and feels good to have some validation from others who’ve come to the same conclusion.

In particular, I really needed to hear this:

The moment can be specific or fuzzy. You might already have an idea of the details you want to realize, or you might just know the kind of things you want to have in place later in your life. The megaquest can come in and out of focus as your situation and your values shift. But it should always give you something distant and meaningful to hang quests on.

[…]

You might not get the moment. Plenty of things won’t go as expected. Plans will change. Your ideas about what you really want will change. Some variables might never fit perfectly into place. The moment is, in fact, a macguffin — a catchy plot device to keep you moving toward putting everything in its place. So the secret, which you shouldn’t think about too hard, is that it doesn’t really matter if you get it. What matters is that the more earnestly you pursue a truly perfect moment, the more you put everything in its place, the more nearly perfect moments you’ll have along the way.

I’ve been feeling kind of aimless lately, and struggling to figure out whether my idea of who and how and where I want to be is still what I want. It may be that I never actually get to that exact moment, falling into sync with myself in an Ohayō moment, and expecting to do so is unreasonable. At its core, it still feels like a good moment to strive for, but are some of the surrounding details changing? Maybe. I need to do some long thinks, I’d say. But maybe that’s okay.

The Rise of the New Aristocracy

Out of The Atlantic, a lengthy but worthwhile piece on how The 9.9 Percent Is the New American Aristocracy. If you’ve been paying attention, the concept probably isn’t a new one to you, but it’s still alarming and eye-opening to see it all laid out at once.

Some choice bits:

The sociological data are not remotely ambiguous on any aspect of this growing divide. We 9.9 percenters live in safer neighborhoods, go to better schools, have shorter commutes, receive higher-quality health care, and, when circumstances require, serve time in better prisons. We also have more friends—the kind of friends who will introduce us to new clients or line up great internships for our kids.

These special forms of wealth offer the further advantages that they are both harder to emulate and safer to brag about than high income alone. Our class walks around in the jeans and T‑shirts inherited from our supposedly humble beginnings. We prefer to signal our status by talking about our organically nourished bodies, the awe-inspiring feats of our offspring, and the ecological correctness of our neighborhoods. We have figured out how to launder our money through higher virtues.

Also:

You see, when educated people with excellent credentials band together to advance their collective interest, it’s all part of serving the public good by ensuring a high quality of service, establishing fair working conditions, and giving merit its due. That’s why we do it through “associations,” and with the assistance of fellow professionals wearing white shoes. When working-class people do it—through unions—it’s a violation of the sacred principles of the free market. It’s thuggish and anti-modern. Imagine if workers hired consultants and “compensation committees,” consisting of their peers at other companies, to recommend how much they should be paid. The result would be—well, we know what it would be, because that’s what CEOs do.

And:

Nowhere are the mechanics of the growing geographic divide more evident than in the system of primary and secondary education. Public schools were born amid hopes of opportunity for all; the best of them have now been effectively reprivatized to better serve the upper classes. According to a widely used school-ranking service, out of more than 5,000 public elementary schools in California, the top 11 are located in Palo Alto. They’re free and open to the public. All you have to do is move into a town where the median home value is $3,211,100.

[…]

With localized wealth comes localized political power, and not just of the kind that shows up in voting booths. Which brings us back to the depopulation paradox. Given the social and cultural capital that flows through wealthy neighborhoods, is it any wonder that we can defend our turf in the zoning wars? We have lots of ways to make that sound public-spirited. It’s all about saving the local environment, preserving the historic character of the neighborhood, and avoiding overcrowding. In reality, it’s about hoarding power and opportunity inside the walls of our own castles. This is what aristocracies do.

Also, he got the automatic defensiveness spot on:

In part what we have here is a listening problem. Americans have trouble telling the difference between a social critique and a personal insult. Thus, a writer points to a broad social problem with complex origins, and the reader responds with, “What, you want to punish me for my success?”

In part, too, we’re seeing some garden-variety self-centeredness, enabled by the usual cognitive lapses. […] Human beings of the 9.9 percent variety also routinely conflate the stress of status competition with the stress of survival. No, failing to get your kid into Stanford is not a life-altering calamity.

It’s a lot to take in, but there’s a lot there that needs to be thought about. I’m not entirely sure what the answers are — as the author points out in the article, historically when things get this unequal, the leveling process is violent and destructive. Ideally, we’ll find ways to get back to greater social and economic equality and mobility that don’t require bloody revolution or total economic collapse, but the only ways I can think involve people getting over themselves and not being selfish assholes to each other. That seems naively idealistic in an era where self-centered sociopathy seems distinctly on the rise. Sooner or later (and I suspect sooner), something is going to have to give.