Author: Nadreck

Microformats

This really deserves a fuller posting than this, but the gist of it: Microformats are a way to make your data more machine-friendly, related to (but separate from) the Semantic Web movement. There are several microformats out and seeing use, including hCard and hCalendar. Several more microformats are currently in draft form, such as hReview, and hResume. What’s really nice about this is that it makes your content readable for both humans and machines, and their extensive use of classes allows a built-in versatility in layout via CSS.

Of course, the drawback is that it’s more cruft to try and remember to implement. The folks spearheading the movement seem to understand this, though, and most of the drafts and specifications have online creators that you can use, and several plugins for popular blogging applications (like WordPress) are in development. I just used the hResume Creator to create a basic resume which I’ve posted here.

826 Valencia

I might be late out the gate on this, but I wanted to call attention to 826 Valencia, which is a non-profit writing and tutoring center started by the folks at McSweeney’s. There are seven branches around the country now, which each one running a unique storefront to help fund their efforts. The original location in San Francisco runs a Pirate Supply Store. The one in New York City is for superheroes, while the one in Los Angeles is for time travelers. Seattle is all about space travel (appropriate since the Sci-fi Museum is also in Seattle), Chicago is meant for spies, while Ann Arbor, Michigan offers a home for itinerant monsters, and Boston is home to cryptozoologists from all over.

So friggin’ cool. I wish stuff like this had been running when I was a kid.

Got It In One

I’ve always enjoyed Jerry’s writing over at Penny Arcade, so I suppose it should come as no surprise that I think he damn near nailed the game industry metaphor when he said this:

The stakes are high, and getting higher, and publishers who were once merely gun-shy are now officially paranoid, rolling around in a padded cell until the drugs take effect. Part of the reason GDC made me uncomfortable is that I could feel its culture pressing on me from all sides, and I knew it wasn’t mine. But the other part was that I got a sense of how brutal that life is, how unstable it can be, how maddening, and I just wanted to come home and match gems or some shit. I didn’t want to see it anymore. I don’t want to think about a cow’s quiet eyes every time I grip a hamburger.

(Link)

Glory by Essie Jain

I know I’ve heard this song somewhere else, but for the life of me, I can’t place where. I do, however, know where I was (re)introduced to it: this afternoon, driving home from work, Essie Jain came into KEXP for a live performance and interview, and I immediately became enamored with this young lady from London. Her interview was delightful and personable, and the music was simply stunning. She’s currently touring for the release of her first album, We Made This Ourselves, of which “Glory” is the first track.

If you’re looking for layers or technical complexity, then you’re looking in the wrong place. “Glory” is primarily a vocalist and guitar, with another guitar accompanying, adding texture to the melody. That’s about it. Despite this simplicity (or perhaps because of it), “Glory” manages to capture a particular mood and atmosphere that simultaneously reminds me of walking in the summer twilight as the day’s heat cools off, and spending an evening curled up by a fireplace with a good book and hot chocolate as the snow falls outside. It may seem odd at first to have these two images juxtaposed, but if you think about it, they both depict the same sort of mellow, dreamy state of being. It’s a great feeling to have, and that essence distilled into a song is equally great to listen to.

[“Glory” by Essie Jain Free MP3]

[Official Site]

[Essie Jain on MySpace]

Gone for Good by Morphine

Today I’d like to go back to an old favorite, Morphine. On this day in 1999, Mark Sandman, front man of Morphine, died of a heart attack while on stage in Italy. While I’m sure he would have preferred to not die, I suspect that he would have appreciated going out playing as he did. Sandman (and his compatriots in the band) was a consummate musician, often playing unique, heavily modified instruments to create an unparalleled, interesting sound. Given the circumstances, the song I selected seems perhaps a little morbid, but appropriate: “Gone for Good” off Yes.

It’s a quiet song, just sparse guitar work and Sandman’s deep, resonating vocals. The lyrics paint a clear picture, and really conveys a sense of loneliness and rejection, the unrequited lover coming to terms with the realities of a situation. “Never gonna walk up your walk and ring your bell and feel you fall into my arms. No, never gonna see you again — you’re gone for good.”

At various points in my life, this song has really struck a personal chord with me. I won’t say all, but I imagine most of us have gone through one of these periods, where friends or family are dying, or you’ve been rejected by the love of your life, or hell, all of the above. You feel fragile, right on the hairy edge of breaking, as you realize the loss. This song perfectly captures that. This may, perhaps, depress some, but I hope that listeners will be able to appreciate the craftsmanship inherent in capturing that emotion and distilling it in a song regardless of the mood it may direct you to.

[“Gone for Good” on iTunes]

[Morphine on Wikipedia]