From the Guardian: Snapping point: how the world’s leading architects fell under the Instagram spell. We’ve always had architecture-as-spectacle – if anything, Instagram is just the latest in a series of driving forces. But it’s still worth thinking about. Something the author notes:
Configuring buildings and public spaces as selfie sets may well work for tourism promotion and the buzz of a launch, but once the novelty factor has worn off, the whimsy can grate and the flimsiness become all too apparent. The urge for quick, affordable spectacle often leads to stick-on, paper-thin cladding materials that look good in photographs, but weather terribly. The stained, peeling facades of the last decade stand as a grim testament to prioritising photographability over function.Oliver Wainwright
Art is wonderful, and public art is essential. It enhances and enriches the spaces we inhabit. But when we insert an overtly capitalist motivation of cashing in on a craze, we sacrifice the care and consideration in how we craft this art.
Something this also gets me thinking about is replication. That is, our penchant for seeing an interesting photo, and striving to replicate it. This isn’t new, and in many cases is designed (consider things like Yosemite, where you round a corner and get a reveal of El Capitan or Half Dome. You stop, and say “Wow,” and take a picture. This experience was designed, over a century ago, and is part of why we have 400 million nearly identical shots of these locations). It just bums me out, for some vague reasoning I can’t quite put a finger on, that rather than being inspired by an interesting photo, there is this impetus to simply replicate it. I should probably chew on that a bit.