Invisible by Modest Mouse

I think it will come as no surprise to most folks familiar with both me and the band that I’m a fan of Modest Mouse. I was initially turned on to them fairly late in their career, with their album Good News for People Who Love Bad News, notably their one-two punch of “World At Large” followed by “Float On,” which when combined, served as a personal mantra and definition through a very trying period in my life. I quickly rounded out my collection of their prior albums, and eagerly anticipated their latest album, We Were Dead Before the Ship Even Sank. The new album, while not exceeding my preference for Good News…, does not disappoint, with its frenetic, impassioned songs. Needless to say, I was glad to see one of these songs, “Invisible”, show up on KEXP’s Song of the Day Podcast.

“Invisible” starts with a muted drum and guitar build up, which then explodes into a sonic crescendo as the singing starts. Build-up and release seems to be a recurring theme within the song, with several points where the melody builds a sense of urgency before a staccato release of heavy, directed drums and guitar, with a bassline running throughout acting as a glue, bonding the elements together.

In short, the song rocks, and rocks hard. It engages the ear on several levels in a way that could be overwhelming if not prepared for it, combined with a pacing that can’t help but encourage a frenetic mood in the listener. “Invisible” is an excellent example of Modest Mouse’s musical style, and would be a great way to introduce the band musically to a newcomer.

[Invisible by Modest Mouse]

[Subscribe to the KEXP Song of the Day Podcast.]

Apple Pie by The Bastard Fairies

“I’m the life of the party, I’m always smiling. On the surface, I’m as happy as can be.”

You all know the people “Apple Pie” (off The Bastard Fairies’ Memento Mori) is talking about: they seem upbeat and cheerful (much like this song), but the reality is that they’re fairly shallow, and avoid dealing with their emotions, or anything too heavy or serious. It describes an individual who is shallow by choice. The mood and melody of the song encourages this image, with a relatively simple tune running through it, with only the chorus having more complexity and layers: for most of the song, it is simply a synth and lo-fi vocals. With each cycle through the chorus, however, they add more and more instruments, until the final chorus is a diverse cacophany of sounds that works well in a sonic fashion. This ties really well into the metaphor of the song, since you never run into these sorts of people alone.

I like this song, for several reasons. First and foremost, it’s a catchy tune, with a simple rhythm and lyrics that are easy to sing along to — it’s easy to end up nodding your head with the beat or even singing along. In particular when I was first introduced to this song via KEXP, I was dealing with several individuals that I found I was immediately identifying with the song: not bad people, but emotionally shallow, who’d rather sweep things under the rug than address the issues at hand. This gave it enough weight that I ended up tracking down the band online, where I discovered that they were offering their entire album available for download, free (links below). I’d definitely recommend looking them up, and giving the album a few listens, to see if it’s something you might like: especially for the price, it’s worth your time.

[“Apple Pie” [Free MP3]]

[The Bastard Fairies Website]

Travel Music

America, by Simon and Garfunkel.
Road Trippin’, by Red Hot Chili Peppers
Take Me With You, by Morphine
Sleep Alone, by Moby
Thela Hun Ginjeet, by King Crimson
Life is a Long Song, by Jethro Tull
Postcard Day, Ian Anderson
Ride Across the River, by Dire Straits
Space Oddity, by David Bowie
Five Years, by David Bowie
#34, by Dave Matthews Band
Where Do I Begin, by The Chemical Brothers
No Distance Left to Run, by Blur

Please, add your favorite “travel music” to the list. Feel free to argue some of my choices, too.

Copyright Wake-up Call

I just had an interesting conversation with some folks on IRC. (I know, shocking, eh?) While reaffirming that it IS in fact a vast wasteland, it was interesting to see what sort of misconceptions are out there about copyright law.

First off, everyone hates the RIAA, myself included. Their behavior is reminiscient of the Gestapo of Nazi Germany, and they need to be stopped. Their reactionary behavior simply feeds the fire, and exacerbates the problem.

Next, many of these “pirates” believe themselves to be safe by being in another country. To quote some, “Thats why I love living in Canada. Downloading music here is legal … see in canada we pay a tax on all music anyway … and the RIAA has no jurasdiction here” and “[copyright] can be international only if the country accepts it, and very few do. Thats why they can’t do shit to people in canada denmark finland and the like.”

Let’s not forget this concept that the RIAA is snooping everyone’s computers, so if you don’t keep pirated music on it, they can’t see it. “If I burn my mp3s to a cd, they can’t trace it!”
Continue reading “Copyright Wake-up Call”