Ira Glass: Creative Work

Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through. Ira Glass

No AP, Please

Patrick highlights recent unacceptable behavior on the part of AP over at Making Light. He makes some excellent points about how restrictive and ridiculous this sort of attempt at strong-arming individuals can be. A core principle of copyright law is the role of “fair use” to allow others to provide feedback, response, analysis, and commentary on a given work or material, since copyright law itself is provided as an incentive to promote scientific and cultural advancement. A blogger referencing (e.g. linking to the article, quoting specific passages, or re-summarizing/restating the basis of the article) a work clearly falls within this principle, on several fronts.

I will concede such cases as where the majority or entirety of the article is quoted, in particular in situations where it is done so without commentary, but that’s not what’s being discussed, here. What’s happening in THIS circumstance is pure, unbridled greed, without even a nod to the law as it stands.

Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include —

(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;

(2) the nature of the copyrighted work;

(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and

(4) the effect of the use upon the potential market for or value of the copyrighted work.

The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. (Copyright Act of 1976, 17 U.S.C. § 107)

826 Valencia

I might be late out the gate on this, but I wanted to call attention to 826 Valencia, which is a non-profit writing and tutoring center started by the folks at McSweeney’s. There are seven branches around the country now, which each one running a unique storefront to help fund their efforts. The original location in San Francisco runs a Pirate Supply Store. The one in New York City is for superheroes, while the one in Los Angeles is for time travelers. Seattle is all about space travel (appropriate since the Sci-fi Museum is also in Seattle), Chicago is meant for spies, while Ann Arbor, Michigan offers a home for itinerant monsters, and Boston is home to cryptozoologists from all over.

So friggin’ cool. I wish stuff like this had been running when I was a kid.

Glory by Essie Jain

I know I’ve heard this song somewhere else, but for the life of me, I can’t place where. I do, however, know where I was (re)introduced to it: this afternoon, driving home from work, Essie Jain came into KEXP for a live performance and interview, and I immediately became enamored with this young lady from London. Her interview was delightful and personable, and the music was simply stunning. She’s currently touring for the release of her first album, We Made This Ourselves, of which “Glory” is the first track.

If you’re looking for layers or technical complexity, then you’re looking in the wrong place. “Glory” is primarily a vocalist and guitar, with another guitar accompanying, adding texture to the melody. That’s about it. Despite this simplicity (or perhaps because of it), “Glory” manages to capture a particular mood and atmosphere that simultaneously reminds me of walking in the summer twilight as the day’s heat cools off, and spending an evening curled up by a fireplace with a good book and hot chocolate as the snow falls outside. It may seem odd at first to have these two images juxtaposed, but if you think about it, they both depict the same sort of mellow, dreamy state of being. It’s a great feeling to have, and that essence distilled into a song is equally great to listen to.

[“Glory” by Essie Jain Free MP3]

[Official Site]

[Essie Jain on MySpace]

Gone for Good by Morphine

Today I’d like to go back to an old favorite, Morphine. On this day in 1999, Mark Sandman, front man of Morphine, died of a heart attack while on stage in Italy. While I’m sure he would have preferred to not die, I suspect that he would have appreciated going out playing as he did. Sandman (and his compatriots in the band) was a consummate musician, often playing unique, heavily modified instruments to create an unparalleled, interesting sound. Given the circumstances, the song I selected seems perhaps a little morbid, but appropriate: “Gone for Good” off Yes.

It’s a quiet song, just sparse guitar work and Sandman’s deep, resonating vocals. The lyrics paint a clear picture, and really conveys a sense of loneliness and rejection, the unrequited lover coming to terms with the realities of a situation. “Never gonna walk up your walk and ring your bell and feel you fall into my arms. No, never gonna see you again — you’re gone for good.”

At various points in my life, this song has really struck a personal chord with me. I won’t say all, but I imagine most of us have gone through one of these periods, where friends or family are dying, or you’ve been rejected by the love of your life, or hell, all of the above. You feel fragile, right on the hairy edge of breaking, as you realize the loss. This song perfectly captures that. This may, perhaps, depress some, but I hope that listeners will be able to appreciate the craftsmanship inherent in capturing that emotion and distilling it in a song regardless of the mood it may direct you to.

[“Gone for Good” on iTunes]

[Morphine on Wikipedia]

Tomato Song by PWRFL POWER

I’ll admit it: I’m a big fan of KEXP, and often end up raiding their fine selection of Song of the Day Podcasts for songs to review. I also, however, read their blog, where they often link to some really interesting independent artists, alternative tracks, remixes, and things you might not always hear on the radio. That would be the case with “Tomato Song” by PWRFL POWER. I haven’t been able to find info on buying an actual album, but he (yeah, it’s one guy, Kazutaka Nomura, a 22 year old Japanese International Student, currently living in Seattle) is apparently touring a fair bit (mostly in Japan). He’ll be at the Capitol Hill Block Party at the end of the month, but I’ll still be in Vermont. Ah well.

It’s an interesting song: acoustic guitar with an interesting progression, and simply sung lyrics, which gives a sort of childlike feel to the song that belies the nuances within the lyrics. There’s nothing grandiose or overly complex about the song: it’s simply good. I imagine he would be a great live show, so those of you on the east coast or in Japan, go check him out while you can (tour dates and locations are on his MySpace).

[“Tomato Song” by PWRFL POWER Free MP3]

[PWRFL POWER on MySpace]

We Do Not Fuck Around by Viva Voce

Welcome to the modern epic rock ballad. No, I’m not kidding. Off Get Yr Blood Sucked Out, Viva Voce’s “We Do Not Fuck Around” starts softly, before breaking into a marching, explosive chorus that brings back the best elements of the rock ballads of the late 70s and 80s, but with a flavor that is a bit more modern while staying true to its roots. When the guitar breaks out and the chorus begins, you can’t help but want to get up and shout the lyrics along with them: “Hey ya’ll, we do not fuck around!”

We’ve all had those days: the days where the shit is hitting the proverbial fan, and you wade into it with both arms swinging. You’re there to get things done, and you’re not going to put up with any drama or bullshit from anyone or anything. There is a white hot passionate fury behind your eyes, and people scatter to avoid your path, because when the hammer falls, it’s going to be a 500 megaton bomb on whatever you’ve set to task. It’s getting to a work site to discover a seemingly insurmountable amount of work before you… and then powering through it before lunch. It’s getting assigned a 5 page essay and handing in a heavily researched 50 page dissertation. Your enemies shall be utterly destroyed, and your allies shall be protected from damn near anything.

That’s this song. An anthem to that idea, that fire that burns away all the cruft and gets to its core with laser precision. This is a song to play LOUD, before marching in to quit, or ask for that raise, or to ask that girl you like out, to remind yourself of that fire, and that you, too, do NOT fuck around.

[We Do Not Fuck Around Free MP3]

[Viva Voce on MySpace]

[Official Site]