Author: Nadreck

Ex-game industry, ex-dbx, currently technical writer turned tools developer. Sucker for learning random things. Tends to talk about social computing, online identity, internet culture, and life.

Twitter Links

Twitter in Plain English: I’m sure many of you are already familiar with Twitter, which is sort of a messaging service to allow for more ubiquitous communication. For those who aren’t aware, the folks at Common Craft have made an excellent video to explain it:

So, there are a variety of ways and places you can include Twitter. Personally, I have it set up via IM using their Jabber service, and also have it added as an application on Facebook. I’ve even added it as a sidebar on my website. These are all free services that haven’t required me to install anything to use.

However, there are some really fantastic other options for those who want a bit more of a robust user experience. Icon Factory has an OS X stand alone application that sort of set the gold standard for 3rd party twitter apps, called Twitterrific, which integrates your tweets right into the operating system, making for a seamless and easy experience. I used it for a while, however when they started charging for it, I stopped using it, and instead stuck with the Jabber services, which, while adequate, lacks both the punch and the reliability Twitterrific offered.

Recently, however, the IM services Twitter offers went down due to overload (a LOT of people use Twitter, and it is a constant battle to keep up with user demand), and has remained down for over a week, leading me to re-look at the 3rd party landscape. So, now I’m trying out an application called Spaz, which has been written using Adobe’s AIR framework, Spry (a free AJAX framework also from Adobe), and jQuery. It’s open-source (modified BSD license), free, and multiplatform (OS X, Windows, and Linux). While I miss the seamlessness (and lack of another icon cluttering my Dock) of Twitterrific, otherwise it seems to be a very respectable client, and well worth the time to check out.

reCAPTCHA

reCAPTCHA is a free CAPTCHA service that uses text that OCR scanning technology couldn’t translate as the random text:

But if a computer can’t read such a CAPTCHA, how does the system know the correct answer to the puzzle? Here’s how: Each new word that cannot be read correctly by OCR is given to a user in conjunction with another word for which the answer is already known. The user is then asked to read both words. If they solve the one for which the answer is known, the system assumes their answer is correct for the new one. The system then gives the new image to a number of other people to determine, with higher confidence, whether the original answer was correct. (reCAPTCHA Website)

Truly, we live in the future.

I’m now using this system for user registrations (which are required to leave comments). So go register, and help read books!

Microformats

This really deserves a fuller posting than this, but the gist of it: Microformats are a way to make your data more machine-friendly, related to (but separate from) the Semantic Web movement. There are several microformats out and seeing use, including hCard and hCalendar. Several more microformats are currently in draft form, such as hReview, and hResume. What’s really nice about this is that it makes your content readable for both humans and machines, and their extensive use of classes allows a built-in versatility in layout via CSS.

Of course, the drawback is that it’s more cruft to try and remember to implement. The folks spearheading the movement seem to understand this, though, and most of the drafts and specifications have online creators that you can use, and several plugins for popular blogging applications (like WordPress) are in development. I just used the hResume Creator to create a basic resume which I’ve posted here.

826 Valencia

I might be late out the gate on this, but I wanted to call attention to 826 Valencia, which is a non-profit writing and tutoring center started by the folks at McSweeney’s. There are seven branches around the country now, which each one running a unique storefront to help fund their efforts. The original location in San Francisco runs a Pirate Supply Store. The one in New York City is for superheroes, while the one in Los Angeles is for time travelers. Seattle is all about space travel (appropriate since the Sci-fi Museum is also in Seattle), Chicago is meant for spies, while Ann Arbor, Michigan offers a home for itinerant monsters, and Boston is home to cryptozoologists from all over.

So friggin’ cool. I wish stuff like this had been running when I was a kid.

Got It In One

I’ve always enjoyed Jerry’s writing over at Penny Arcade, so I suppose it should come as no surprise that I think he damn near nailed the game industry metaphor when he said this:

The stakes are high, and getting higher, and publishers who were once merely gun-shy are now officially paranoid, rolling around in a padded cell until the drugs take effect. Part of the reason GDC made me uncomfortable is that I could feel its culture pressing on me from all sides, and I knew it wasn’t mine. But the other part was that I got a sense of how brutal that life is, how unstable it can be, how maddening, and I just wanted to come home and match gems or some shit. I didn’t want to see it anymore. I don’t want to think about a cow’s quiet eyes every time I grip a hamburger.

(Link)