A few quick links about the web

Some quick links I wanted to capture. First, Joan Westenberg, writing “I miss the internet.” I miss it, too.

The homogeneity of the modern web is disheartening. Every website and platform is just a slight variation on a handful of templates. The eccentricity, the vibrant individuality, and the raw expression that once pulsated across the net all seem to have been replaced by either an inoffensive, user-friendly sameness or an algorithm-endorsed near-genocidal mania of hate speech that is somehow deemed socially acceptable.

Worse still, today’s internet is a place of scrutiny, surveillance, and unprecedented data exploitation. We’ve traded our privacy and autonomy for the convenience and connectivity it provides, and in so doing, have become commodities in an unseen market. In the pursuit of progress and personalization, we have inadvertently sterilized the very essence of the web, transforming it from a shared experience into a solitary echo chamber.

Joan Westenberg, “I miss the internet”

Then Anil Dash wrote a piece for Rolling Stone, and then elaborated on his blog, “The Web Renaissance Takes Off“:

So, while I’m still circumspect and cautious about the very real threats and harms that will come from the worst parts of the major internet platforms, I am more optimistic than I’ve been in a long time about the massive potential of the human internet to come roaring back in a way that we haven’t seen in a generation. More and more, I think of it as “the people’s web”. And like so many things that come from, and by, the power of the people, it’s a movement that can be delayed, or undermined, but increasingly I have come to believe that it cannot possibly be truly stopped.

Anil Dash, “The Web Renaissance Takes Off”

(I appreciate the optimism of it, and remain somewhat hopeful as well.)

Next, from Jason, a post asking “Where have all the websites gone?” Which feels a bit like an elegy for the internet of yesteryear, while calling out something I’ve felt myself: one of the ways the old internet worked was through the curators, and how essential the sharing was.

We used to know how to do this. Not long ago, we were good at separating the signal from noise. Granted, there’s a lot more noise these days, but most of it comes from and is encouraged by the silos we dwell in.

Somewhere between the late 2000’s aggregator sites and the contemporary For You Page, we lost our ability to curate the web. Worse still, we’ve outsourced our discovery to corporate algorithms. Most of us did it in exchange for an endless content feed. By most, I mean upwards of 90% who don’t make content on a platform as understood by the 90/9/1 rule. And that’s okay! Or, at least, it makes total sense to me. Who wouldn’t want a steady stream of dopamine shots?

Jason, “Where have all the websites gone?”

Worth a read. I like seeing the direction the discourse has been going lately.

Finally, Giles Turnbull issues a challenge to creators and developers: let’s put effort into creating a sea of new tools for the indie web, and let’s make them easy to install and use:

We need more self-hosted platforms for personal publishing that aren’t WordPress. And don’t point me to Hugo or Netlify or Eleventy or all those things – all of them are great, but none of them are simple enough. We need web publishing tools that do not require users to open the Terminal at all. And we need lots of them. 

We need a whole galaxy of options.

[…]

It’s not that I hate WordPress. I don’t use it, personally, but I don’t hate it. I can see the benefits of using it. It’s a great tool. 

But it needs more competition. People coming fresh to web publishing should have more options.

Giles Turnbull, “Let’s make the indie web easier”

I do use WordPress, and I still agree with the sentiment – the competition is useful to keep all platforms on their toes, and now may be a fantastic opportunity to go back to first principles and see what a tool for putting things on the internet should look like now.

Trying to take off the Cynic Hat

I’d started writing a screed here about how Threads’ purported support for interoperation with other services through ActivityPub (an open standard) is a red herring, and how they’ll be locking it down as soon as they hit a critical mass (which I stand by, for what it’s worth – I give it two years before things start shifting, shutting down APIs, breaking interoperability, adding features that “only work in Threads”, putting their thumb on the scales for changes to the standard, etc). But I realized I was wearing my Cynic Hat, and yucking peoples’ yum doesn’t really help. I’ve already mentioned my concerns about their privacy settings and intertwining with Instagram – if, knowing that, you still opt to sign up, that’s up to you, go have fun.

So instead, here’s a few projects that are giving me some hope:

  • The Flickr Foundation and Wikimedia Commons are partnering to improve the bridge between the services. (For those out of the loop, Flickr has been quietly rebuilding itself since it was acquired by SmugMug back in 2018, and launched a non-profit – the Flickr Foundation – in 2022, to help steward the large body of public domain or creative commons licensed material that had accumulated. I have a soft spot for any project that aims at preservation and responsible sharing of creative work, and this seems like a good one.)
  • Several museums have begun making available high quality scans of many important works from their archives. Notably, the Smithsonian and the National Gallery of Art are both doing this. The Creative Law Center has a page with a list of museums part of this effort! (If you haven’t checked the Creative Law Center out, it’s a fantastic resource for explaining things like copyright, trademarks, licensing, and what to do about it all as a creator.)
  • Tumblr. Hear me out: after seeing it get run into the ground by corporate parent companies (for years!), seeing it get some genuine love and support from their new owners (Automattic, same folks who own WordPress) has been refreshing and appreciated. It has its own culture and customs, and while they’ve made efforts to provide some mechanisms for monetization (gotta pay that server bill somehow, right?), those efforts have very much been in keeping with the nature of the site and the people who use it. Time will tell on whether that’s enough for them to thrive, but that they’re at least trying alternatives to the current de facto default of highly targeted user-data-driven advertising gives me some hope. Obviously I’m more aligned with hosting your own shit, but if that’s not viable for some reason, going somewhere that at least isn’t going to actively sell you to the highest bidder feels like a good next-best alternative.

Cultural differences in web design

Over at sabrinas.space, Sabrina Cruz has a great breakdown of how web design differs between western and Japanese sites, written in support of their video on the same topic. Well researched, and they even go into details on how they collected their data. Good stuff.

While the rest of the world’s smart phone adoption began with the iPhone, Japan was years ahead – but alone. This article points out:

[Japanese cellphones had] e-mail capabilities in 1999, camera phones in 2000, third-generation networks in 2001, full music downloads in 2002, electronic payments in 2004 and digital TV in 2005.

The result was that Japan’s smart phone culture evolved separately from the rest of the world. There was less emphasis on large pictures and text was more acceptable since it had been the norm since the early days.

sabrinas.space

Maybe it’s just me, but I think it’s fascinating to see how this sort of stuff differs in different cultures and regions. Makes you wonder what sort of further shifts in technology will influence design in the future (looking at you, Vision Pro).

How to Enjoy the Internet

Via Neil Gaiman’s tumblr, Ezra at ghostonly has an excellent post explaining some simple steps you can take to get back to enjoying yourself on the internet. It’s a good list.

#4 – Learn to say, “It’s none of my business.”

Don’t understand someone’s desire to use neo pronouns? None of your business. Can’t understand why someone is a furry? None of your business. Curious about how someone who talks about being poor can have a Starbucks in that last selfie they posted? None of your damn business.

[…]

If you have genuine questions from a place of good faith (i.e. what inspired you to use neopronouns?/what do you pronouns mean to you?) Go for it. But if you’re only asking questions to draw negative attention to someone or make them feel bad or to other them, you’re just being a nosy asshole.

Minding your own business is also good for you because – and I mean this genuinely – feeling entitled and superior is fucking exhausting. I know, because I’ve been 20 before. You will have a way better time online if you just stop caring about shit that doesn’t concern you.

Go read it, I agree with the whole damn thing.

The Soul of the Web

Over at The Atlantic, Kaitlyn Tiffany has an article on The Battle for the Soul of the Web – a headline that may sound a little dramatic, but is touching on some important topics. The article touches on a few different topics, but a central one is about the decentralized web (DWeb), and where that both intersects and contrasts with the Web3 space. It’s an interesting topic that is worth a deeper dive if you care about online spaces at all.

Decades removed from the gonzo highs of blinging GIFs and wacky blogs, the web is now a place where many people feel exploited, manipulated, and tracked; where freedom of speech is being tugged around in a strange culture war; and where the rich get richer.

Among this set, one solution seems to be the consensus favorite. If these problems are intrinsically linked to consolidated tech giants like Meta, Google, and Amazon, why not embrace technologies that decentralize power? 

Kaitlyn Tiffany

I’ve been railing against and ranting about information silos for years, so I suppose it’s no surprise that this line of thought might be a little appealing to me. I’ve had a passing interest in the potential of technologies like IPFS for years, for instance, though it remains to be seen how things pan out, and what adoption looks like – how much broad adoption is necessary for a technology or philosophy on technology to sustain itself and become independently viable?

That said, I think they’re at least asking the questions, and that’s a good start:

Nathan Schneider, a media-studies professor at the University of Colorado at Boulder and a frequent writer on collectivism and tech, told me. “DWeb asks more,” he said, and dwells on two key questions: “What do we actually want socially, and how do we center those values in our technical designs, so the technical becomes a means to an end, rather than an end in itself?”

There’s obviously some overlap between some decentralized web efforts, and decentralized finance efforts. I hope that the former doesn’t get dragged down because of the latter (or, more specifically, the scam-filled gold-rush that congealed around DeFi in recent times). There’s lots of questions I don’t have answers to about this (perhaps others do?), like how do we make the technology useful, approachable, ubiquitous… without also making it a target for those who want to exert power and control, and exploit it? User congregation around particularly useful or interesting tools or information is inevitable, and with that, how do you prevent just making silos all over again? (Another topic that gives me a headache is how to shepherd information accuracy, and curb disinformation in a world where oversight is virtually impossible?)

The Metaverse is Bullshit

I haven’t really added much to the discourse about Meta’s attempt to create the “Metaverse” – a term pulled from a cyberpunk novel (Snow Crash) – largely because there’s frankly already plenty of folks saying what I’d want to say. But hey, they once again made “big advancements” today with the addition of lower bodies for their virtual avatars, and just… for fuck’s sake.

I don’t entirely blame the development team working on this. I’m sure there’s some very smart people involved, and some of them may even have prior experience with virtual worlds and game development – though that might be optimistic, based on the results so far. I say I don’t entirely blame them, because it’s a very high profile, expensive project, with a lot of direct pressure and visibility from the head of the company. That’s bound to fuck up a roadmap or two.

More Ranting INcoming

The Old Days are Gone

Over on Matt on Tumblr, the head of both WordPress and Tumblr shared his thoughts on how the old, porn-y days of the internet are likely not coming back (for better or for worse).

That said, no modern internet service in 2022 can have the rules that Tumblr did in 2007. I am personally extremely libertarian in terms of what consenting adults should be able to share, and I agree with “go nuts, show nuts” in principle, but the casually porn-friendly era of the early internet is currently impossible.

Matt Mullenweg

He goes on to list some reasonably well thought out arguments as to why he feels that way. Something I appreciate is that none of the argument is a moralistic one, it comes down to practicalities. Allowing sexual expression on a platform is challenging when the financial and regulatory Powers That Be™ are definitively anti-porn. Which is pretty maddening – there’s nothing wrong with consenting adults having fun on camera, nor is there anything wrong with those consenting adults getting paid for their work (and it is work). Yet because some senior executive at Visa feels squicked by it, the entire industry is left scrambling to find ways to let people give them money.

Anyway, it’s a quick read and some decent food for thought, so go take a gander.

The SEO Arms Race

Anil Dash has a solid post called Underscores, Optimization & Arms Races, discussing the early days of search engine optimization, and Google’s role in our tuning content and even how the internet functions to appease it. He’s coming from a background of helping create some of the early CMS and blogging tools of the time, so it’s definitely an “in the trenches” sort of perspective, which I appreciate.

Eventually, people wanted to have the whole title of their article show up in the web address. Part of this was just because it looked cool, but some folks had started to suspect that having those words in the address might help a blog post rank higher on Google. (Google was still a smaller player in the overall web search market at the time, but it was already by far the most popular search engine amongst internet geeks.)

They weren’t wrong – it improved how parseable an article was for readers, and also seemed to help with page ranking on Google. But you have to break up those words somehow, so were you going to do it with dashes, underscores, or some other character?

There was a feel of Kremlinology to the way his minor public utterances would be parsed for any hints that outsiders could glean about Google’s inner workings. But just as often, Cutts would make clear pronouncements of What To Do, and these were received by the SEO community almost as religious edicts.

Cutts recommended dashes (not for any particular technical reason as far as I can tell), and so that’s what was adopted en masse. There was never a reason underscores couldn’t have worked just as well. Now, it’s a pretty minor quibble, and realistically, one option tends to become a de facto standard eventually anyway. So why does it matter? Because the more we constrain ourselves to fit what large corporations want, the more we constrain and limit what might be possible with the internet.

Now, the challenge is to reform these systems so that we can hold the big platforms accountable for the impacts of their algorithms. We’ve got to encourage today’s newer creative communities in media and tech and culture to not constrain what they’re doing to conform to the dictates of an opaque, unknowable algorithm. We have to talk about the choices we made in those early days, even at risk of embarrassing ourselves by showing how naive we were about the influence these algorithms would have over culture.

The Tchotchke Internet

The Tchotchke Internet is a social media landscape of digital flair and knick-knacks, a direct evolution of the freemium user experience. It’s the small ways that users can spend money (or make money) to have a better experience on social media. It’s Reddit Gold, Discord Nitro, Twitter Super Follows, celebrity verified checkmarks, premium Zoom calls, NFT galleries, Ethereum domain names in your bio, Fortnite skins, Roblox Robux, personal Minecraft servers, custom Twitch emotes, Linktree URLs, cryptocoin giveaways, Clubhouse invites, and social media partner programs.

People are spending a lot of money to express themselves online and most of what they’re paying for is basically the digital equivalent of an emo kid’s backpack covered in Hot Topic pins, random little digital artifacts that bely some kind of personal identity.

Ryan Broderick

It’s a clever, and I think apt, name for how the internet has shifted recently, and continues a trend we’ve been seeing for a while around virality, monetization, and content creation. We’ve been talking about “influencer culture” for a while, and I think this is a (perhaps inevitable) continuation of that trend. I think that the “digital flair” is definitely an attempt at status signaling, but also an attempt for some to feel like they can still express themselves and be part of the larger dialogue. As the nature of discourse on the internet increasingly feels like broadcasts (one-to-many, and largely in one direction), having little ways to make your mark feel increasingly important.

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