Ello, Goodbye

Andy Baio has a nice, if bittersweet, elegy for ello, a social network that was (ostensibly) built for creatives, “The Quiet Death of Ello’s Big Dreams“. It is, if anything, a testament to the risks of pulling in VC money.

In June 2023, the servers just started returning errors, making nine years of member contributions inaccessible, apparently forever — every post, artwork, song, portfolio, and the community built there was gone in an instant.

How did this happen? What happened between the idealistic manifesto above and the sudden shutdown?

It’s a story so old and familiar, I predicted it shortly after Ello launched.

Andy Baio, “The Quiet Death of Ello’s Big Dreams”

I had an Ello account, joined in the initial rush when it launched, then wandered off. I’d occasionally check in on it, but was never particularly invested. Still, it’s kind of sad to see it just evaporate like that, and I feel for the users who were active on the service and lost everything they’d posted there.

It sort of reinforces the notion to me that the way tech startups are funded these days is just fundamentally broken. There’s this allure of VC money, but inherent to VC funding is this notion of perpetual rapid growth, and of either building an empire or being acquired by one. And if you’re trying to build an empire, that’s fine. But what if you only want a kingdom? Something only as big as you can manage, built to endure, but bigger and more notable than a small mom-and-pop shop. What does funding for that look like?

Enshittification (and what to do about it)

A while back, Cory Doctorow had an article that made the rounds called “Tiktok’s Enshittification“, and then a follow-up called “Gig apps trap reverse centaurs in wage-stealing Skinner boxes“, both of which are well worth the time to read. I’m fairly certain that’s where the term “enshittification” was coined, and damn if it doesn’t make a lot of sense:

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.

I call this enshittification, and it is a seemingly inevitable consequence arising from the combination of the ease of changing how a platform allocates value, combined with the nature of a “two sided market,” where a platform sits between buyers and sellers, holding each hostage to the other, raking off an ever-larger share of the value that passes between them.

Cory Doctorow, “Tiktok’s Enshittification
Continue reading “Enshittification (and what to do about it)”

Cultural differences in web design

Over at sabrinas.space, Sabrina Cruz has a great breakdown of how web design differs between western and Japanese sites, written in support of their video on the same topic. Well researched, and they even go into details on how they collected their data. Good stuff.

While the rest of the world’s smart phone adoption began with the iPhone, Japan was years ahead – but alone. This article points out:

[Japanese cellphones had] e-mail capabilities in 1999, camera phones in 2000, third-generation networks in 2001, full music downloads in 2002, electronic payments in 2004 and digital TV in 2005.

The result was that Japan’s smart phone culture evolved separately from the rest of the world. There was less emphasis on large pictures and text was more acceptable since it had been the norm since the early days.

sabrinas.space

Maybe it’s just me, but I think it’s fascinating to see how this sort of stuff differs in different cultures and regions. Makes you wonder what sort of further shifts in technology will influence design in the future (looking at you, Vision Pro).

Check Check

The slow train wreck that is Elon’s Twitter continues to both entertain and dismay. Damion Schubert has a solid summary of the latest mess (blue-check/verification shenanigans), and why it’s yet another example of a tone-deaf cock-up by the owner. I particularly liked this gem from his post:

The problem is that status isn’t why the blue checkmark was important . And because he didn’t understand it, now the status associated with the blue checkmark is roughly as desirable to wear as a dead fish found in the anus of a rotting skunk.

Damion Schubert, “It’s Not About Status, Elon. Only Now It Is.

Other “delightful” recent shenanigans include:

I’ve not been talking much about this tire fire lately, partly because I haven’t been blogging much at all, but also because it’s the sort of thing that you probably either a) don’t care about, or b) are already following along and are aware. But still, sometimes it’s useful just to touch base. It’s not frequent that you get to see as major a service as Twitter actively implode. It feels kind of like if you were able to get an accelerated, bird’s eye view of the fall of Rome.

More on Mastodon

Over at Ars Technica, Ben Klemens has an article diving into Mastodon and federation. It’s a good explainer if you’re curious about the standards underpinning the services.

The idea of an open web where actors use common standards to communicate is as old as, well, the web. “The dreams of the ’90s are alive in the Fediverse,” Lemmer-Webber told me.

In the late ’00s, there were more than enough siloed, incompatible networking and sharing systems like Boxee, Flickr, Brightkite, Last.fm, Flux, Ma.gnolia, Windows Live, Foursquare, Facebook, and many others we loved, hated, forgot about, or wish we could forget about. Various independent efforts to standardize interoperation across silos generally coalesced into the Activity Streams v1 standard.

Both the original Activity Streams standard, and the current W3C Activity Streams 2.0 standard used by Mastodon and friends, offer a grammar for expressing things a user might do, like “create a post” or “like👍 a post with a given ID” or “request to befriend a certain user.” The vocabulary one would use with this grammar is split into its own sub-standard, the Activity Vocabulary.

Surprising no one, I’m very in favor of moving back towards decentralization, open standards, and interoperability. Getting a few more high visibility projects would be a great step in the right direction.

They Live!

Been pondering on a longer post, but in the meantime, I wanted to welcome the Nielsen Haydens back to the blogging fold. Theirs was always a thriving community above and beyond being a blog, and I’m glad to see them back. (Also, as mentioned in their post, and again here, if you have experience migrating a complex blog from old Movable Type system to something more modern like WordPress, do please reach out to them – they’re good folks.)

Get Blogging

Ben Werdmuller put together a nice site laying out current tools for blogging, and why you might want to start. If you wanted a good summary of the state of things and what to try, it’s a good site to check out!

Not much to add in, other than that I agree, it’s nice to do and it’d be swell to see more folks blogging again. Do you run a blog? Let me know, I’d love to add it to my rss feeds!

Now, Now

Fun little concept, the “now” page. From their about page:

Most websites have a link that says “about”. It goes to a page that tells you something about the background of this person or business. For short, people just call it an “about page”.

Most websites have a link that says “contact”. It goes to a page that tells you how to contact this person or business. For short, people just call it a “contact page”.

So a website with a link that says “now” goes to a page that tells you what this person is focused on at this point in their life. For short, we call it a “now page”.

Maybe I should put together one of those. And of course, the name reminds me of the classic “when will then be now” scene from Spaceballs:

How to Enjoy the Internet

Via Neil Gaiman’s tumblr, Ezra at ghostonly has an excellent post explaining some simple steps you can take to get back to enjoying yourself on the internet. It’s a good list.

#4 – Learn to say, “It’s none of my business.”

Don’t understand someone’s desire to use neo pronouns? None of your business. Can’t understand why someone is a furry? None of your business. Curious about how someone who talks about being poor can have a Starbucks in that last selfie they posted? None of your damn business.

[…]

If you have genuine questions from a place of good faith (i.e. what inspired you to use neopronouns?/what do you pronouns mean to you?) Go for it. But if you’re only asking questions to draw negative attention to someone or make them feel bad or to other them, you’re just being a nosy asshole.

Minding your own business is also good for you because – and I mean this genuinely – feeling entitled and superior is fucking exhausting. I know, because I’ve been 20 before. You will have a way better time online if you just stop caring about shit that doesn’t concern you.

Go read it, I agree with the whole damn thing.

Lilo and Stitch Got it Right

Over at Vulture, Bilge Ebiri has a great interview/retrospective discussing Lilo & Stitch, and what made it so good. It’s worth a read if you liked the movie, or even if you just wanted a better sense of the inside scoop of how things get made.

DeBlois: When we arrived in Florida, we knew these people because we had worked on Mulan with them. That was a difficult film to finish. There were lots of divorces and ailments that came out of that process. I remember myself working daily until well past 11 p.m., listening to people riding the Tower of Terror and poor custodians pushing around vacuum cleaners in these trailer buildings. So we made a decision. We sat down with the entire crew when we got there. We said, “Okay, here’s the deal. We have a lot less money. We have less time. But we want to figure out how we can make this movie so that everybody goes home at night to have dinner with their loved ones. Everybody gets a weekend. We’ll figure out how to make this and be happy doing it.” That became the spirit of making the film.

I still remember the first time I saw the movie – it was 2002, it was hot out, and we wanted to catch a movie since the theater would be air conditioned. I think we’d seen a trailer for it somewhere, figured it’d be cute, and so we went. I’m really glad we did.

Now, I don’t want to make it out to be some revelatory experience – it’s not going to blow your mind. But it is a remarkably well made, thoughtful, fun film. It has a lot of heart, both in the story and performance, but also in the animation and the subtle details. It wasn’t “designed by committee” and you can tell.